Proto-mahjong › Chinese classical › Shanghai / Hong Kong new style › Hong Kong old style › Nanyang variants
Nanyang variants
descent disputed
Descends into
- Singapore style — 148 tiles, animal flowers
- Malaysian 3-player — 84 tiles, one suit
- Malaysian 4-player — 164 tiles, 24 flowers
- Filipino style — 16-tile hand, honours as flowers
- Vietnamese classical — 160 tiles, 8 jokers
- Pong — Malaya, 120 tiles, Dobree 1955
Caveat from the source chart
Drawn with a dashed connector in the source chart: no source establishes this descent.
Cross-comparison
unsupported — the sources checked do not carry the claim this node makes
- [1] Sloperama catalogues the individual Southeast Asian variants but uses no grouping term 'Nanyang' and asserts no common parent for them
- [2] the wiki's family tree is the chart's stated source for this grouping; the chart itself draws the link dashed and states that no source establishes the descent
Reading it
Sloperama catalogues each Southeast Asian variant separately and never groups them or asserts a common parent; the grouping term does not appear. This is consistent with the chart drawing the link dashed, and confirms that the grouping is an organising device rather than a sourced lineage.
Sources
Sloper, Tom. "FAQ 2b: Identifying a Mah-Jongg Variant." Sloperama. supporting checked 2026-09-18
Tile counts, hand sizes, flower handling and scoring for roughly 50 named variants. Primary source for most leaf nodes in this chart.
https://www.sloperama.com/mjfaq/mjfaq02b.html
Also cited on: Chinese archaic, Chinese pre-classical, Chinese classical, Shanghai / Hong Kong new style, Hong Kong old style, Modern HKOS and 43 more · bibliography #1
Mahjong Wiki. "Family Tree and Timeline." mahjong.wikidot.com. canonical checked 2026-09-18
The decade-by-decade timeline and the branch structure this chart follows, including the caveat that each variant's evolution has been cross-cultural.
Also cited on: Chinese classical, Shanghai / Hong Kong new style, Mainland regionals, Korean traditional · bibliography #7